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1 cantilevered design
Автоматика: консольное расположение -
2 cantilevered design
English-Russian dictionary of mechanical engineering and automation > cantilevered design
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3 design
1) конструкция; компоновка; проект || конструировать; компоновать; проектировать || проектный2) конструирование; проектирование3) расчёт || рассчитывать || расчётный4) дизайн, художественное конструирование5) чертёж; эскиз, схема•design for environment — проектирование с учётом экологических требований (напр. с минимальными отходами при обработке)
- 3D designdesigned from scratch — проектируемый по эскизу, проектируемый по грубому эскизу (напр. в САПР)
- actual design
- algorithm design
- alternate design
- armless design
- articulated design of drive
- automated design
- bottom-up design
- building block design
- CAD tooling design
- cantilevered design
- cartridge design
- casting design
- closed box design
- computer-aided control system design
- computer-aided design
- computer-aided optimal design
- computer-aided structural design
- computer-aided system design
- computer-assisted design
- concept design
- conceptual design
- control design
- control process design
- custom design
- data-driven design
- detail design
- deterministic design
- double-column design
- dual-purpose design
- dynamic design
- empirical design
- engineering design
- experimental design
- fail-safe design
- feature-based design
- gantry design
- guidepath design
- hard-wired design
- H-bed design
- image design
- industrial design
- integrated mechatronic design
- kingpost design
- layout design
- long-taper design
- mechanical design
- mechatronic design
- modular design
- modular robotic sensor design
- MRAC design
- NC machine design
- nested design
- object-oriented design
- optimal design
- optimum design
- overlapping tooth design
- pallet-forward design
- PERL design
- preliminary design
- process design
- product design
- production design
- program design
- programmable design
- quill design
- rational design
- release design
- revise design
- revised design
- ring bridge design
- safe design
- safety design
- schematic design
- short-tape design
- sliding-head/fixed-spindle design
- static design
- statistical design
- styling design
- supportive design
- system design
- T-bed design
- thermally symmetric design
- thermally symmetrical design
- through-tool coolant design
- tooling design
- tooth form design
- transient design
- tried-and-true design
- two-board design
- unitized design
- VLSI design
- welding design
- wrap-around way designEnglish-Russian dictionary of mechanical engineering and automation > design
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4 Breuer, Marcel Lajos
[br]b. 22 May 1902 Pécs, Hungaryd. 1 July 1981 New York (?), USA[br]Hungarian member of the European Bauhaus generation in the 1920s, who went on to become a leader in the modern school of architectural and furniture design in Europe and the United States.[br]Breuer began his student days following an art course in Vienna, but joined the Bauhaus at Weimar, where he later graduated, in 1920. When Gropius re-established the school in purpose-built structures at Dessau, Breuer became a member of the teaching staff in charge of the carpentry and furniture workshops. Much of his time there was spent in design and research into new materials being applied to furniture and interior decoration. The essence of his contribution was to relate the design of furniture to industrial production; in this field he developed the tubular-steel structure, especially in chair design, and experimented with aluminium as a furniture material as well as pieces of furniture made up from modular units. His furniture style was characterized by an elegance of line and a careful avoidance of superfluous detail. By 1926 he had furnished the Bauhaus with such furniture in chromium-plated steel, and two years later had developed a cantilevered chair.Breuer left the Bauhaus in 1928 and set up an architectural practice in Berlin. In the early 1930s he also spent some time in Switzerland. Notable from these years was his Harnischmacher Haus in Wiesbaden and his apartment buildings in the Dolderthal area of Zurich. His architectural work was at first influenced by constructivism, and then by that of Le Corbusier (see Charles-Edouard Jeanneret). In 1935 he moved to England, where in partnership with F.R.S. Yorke he built some houses and continued to practise furniture design. The Isokon Furniture Co. commissioned him to develop ideas that took advantage of the new bending and moulding processes in laminated wood, one result being his much-copied reclining chair.In 1937, like so many of the European architectural refugees from Nazism, he found himself under-occupied due to the reluctance of English clients to embrace the modern architectural movement. He went to the United States at Gropius's invitation to join him as a professor at Harvard. Breuer and Gropius were influential in training a new generation of American architects, and in particular they built a number of houses. This partnership ended in 1941 and Breuer set up practice in New York. His style of work from this time on was still modern, but became more varied. In housing, he adapted his style to American needs and used local materials in a functional manner. In the Whitney Museum (1966) he worked in a sculptural, granite-clad style. Often he utilized a bold reinforced-concrete form, as in his collaboration with Pier Luigi Nervi and Bernard Zehrfuss in the Paris UNESCO Building (1953–8) and the US Embassy in the Hague (1954–8). He displayed his masterly handling of poured concrete used in a strikingly expressionistic, sculptural manner in his St John's Abbey (1953–61) in Collegeville, Minnesota, and in 1973 his Church of St Francis de Sale in Michigan won him the top award of the American Institute of Architects.[br]Principal Honours and DistinctionsAmerican Institute of Architects Medal of Honour 1964, Gold Medal 1968. Jefferson Foundation Medal 1968.Bibliography1955, Sun and Shadow, the Philosophy of an Architect, New York: Dodd Read (autobiography).Further ReadingC.Jones (ed.), 1963, Marcel Breuer: Buildings and Projects 1921–1961, New York: Praeger.T.Papachristou (ed.), 1970, Marcel Breuer: New Buildings and Projects 1960–1970, New York: Praeger.DY -
5 Wright, Frank Lloyd
SUBJECT AREA: Architecture and building[br]b. 8 June 1869 Richland Center, Wisconsin, USAd. 9 April 1959 Phoenix, Arizona, USA[br]American architect who, in an unparalleled career spanning almost seventy years, became the most important figure on the modern architectural scene both in his own country and far further afield.[br]Wright began his career in 1887 working in the Chicago offices of Adler \& Sullivan. He conceived a great admiration for Sullivan, who was then concentrating upon large commercial projects in modern mode, producing functional yet decorative buildings which took all possible advantage of new structural methods. Wright was responsible for many of the domestic commissions.In 1893 Wright left the firm in order to set up practice on his own, thus initiating a career which was to develop into three distinct phases. In the first of these, up until the First World War, he was chiefly designing houses in a concept in which he envisaged "the house as a shelter". These buildings displayed his deeply held opinion that detached houses in country areas should be designed as an integral part of the landscape, a view later to be evidenced strongly in the work of modern Finnish architects. Wright's designs were called "prairie houses" because so many of them were built in the MidWest of America, which Wright described as a "prairie". These were low and spreading, with gently sloping rooflines, very plain and clean lined, built of traditional materials in warm rural colours, blending softly into their settings. Typical was W.W.Willit's house of 1902 in Highland Park, Illinois.In the second phase of his career Wright began to build more extensively in modern materials, utilizing advanced means of construction. A notable example was his remarkable Imperial Hotel in Tokyo, carefully designed and built in 1916–22 (now demolished), with special foundations and structure to withstand (successfully) strong earthquake tremors. He also became interested in the possibilities of reinforced concrete; in 1906 he built his church at Oak Park, Illinois, entirely of this material. In the 1920s, in California, he abandoned his use of traditional materials for house building in favour of precast concrete blocks, which were intended to provide an "organic" continuity between structure and decorative surfacing. In his continued exploration of the possibilities of concrete as a building material, he created the dramatic concept of'Falling Water', a house built in 1935–7 at Bear Run in Pennsylvania in which he projected massive reinforced-concrete terraces cantilevered from a cliff over a waterfall in the woodlands. In the later 1930s an extraordinary run of original concepts came from Wright, then nearing 70 years of age, ranging from his own winter residence and studio, Taliesin West in Arizona, to the administration block for Johnson Wax (1936–9) in Racine, Wisconsin, where the main interior ceiling was supported by Minoan-style, inversely tapered concrete columns rising to spreading circular capitals which contained lighting tubes of Pyrex glass.Frank Lloyd Wright continued to work until four days before his death at the age of 91. One of his most important and certainly controversial commissions was the Solomon R.Guggenheim Museum in New York. This had been proposed in 1943 but was not finally built until 1956–9; in this striking design the museum's exhibition areas are ranged along a gradually mounting spiral ramp lit effectively from above. Controversy stemmed from the unusual and original design of exterior banding and interior descending spiral for wall-display of paintings: some critics strongly approved, while others, equally strongly, did not.[br]Principal Honours and DistinctionsRIBA Royal Gold Medal 1941.Bibliography1945, An Autobiography, Faber \& Faber.Further ReadingE.Kaufmann (ed.), 1957, Frank Lloyd Wright: an American Architect, New York: Horizon Press.H.Russell Hitchcock, 1973, In the Nature of Materials, New York: Da Capo.T.A.Heinz, 1982, Frank Lloyd Wright, New York: St Martin's.DY -
6 weight
1. масса; вес; сила тяжести2. груз3. весовой коэффициент, весовой множительA/C weightaerobatic weightair-to-air takeoff weightairframe weightall-up weightantiflutter weightassembled weightbalance weightbasic empty weightbasic take-off weightbob weightcantilevered weightcatapult weightcatapult launch weightclean weightcomponent weightcounterbalancing weightcruise weightdead weightdeck landing weightdelivery empty weightdemonstrated weightdesign weightdispatch weightdrop weightempty weightengine specific weightfleet empty weightgross weightguaranteed weightin-flight weightinstantaneous weightland-based takeoff weightlanding weightmaneuver weightmanufacturers' empty weightmaximum gross weightmid-cruise weightmission weightoperating empty weightoperational empty weightpayload weightramp weightscalar weightsolution weightstandard basic empty weightstart-of-combat weightstructural weighttakeoff weighttare weighttaxi weighttuning weightuninstalled weightunladen weightVL weightwater takeoff weightzero-fuel weightzero-stores weight
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